Emmanuel Daraloye
How do you define a saxophonist? What parameters do you use to assess an artist who transcends conventional musical boundaries? These are the questions that surface when encountering the artistry of Teemey, a saxophonist whose interpretation of Asake’s Peace Be Unto You (PBUY) unveils a masterclass in sonic transcendence.
Teemey’s ability to reimagine an already electrifying song speaks volumes about his musical dexterity. The original track, known for its pulsating rhythms and fervent energy, undergoes a transformation in Teemey’s hands. He strips it down, infuses it with lush improvisations, and elevates its essence with the emotive wail of his saxophone. The interplay between melody and silence, between breath and brass, showcases a profound understanding of the Afrobeat essence, yet his rendition simultaneously treads into uncharted territories.
There is an ethereal quality to Teemey’s sound, an ability to make the saxophone sing in ways that feel almost vocal. Each note in his cover is intentional, carving a narrative of passion and introspection. Unlike the aggressive percussions and hypnotic cadences of Asake’s original, Teemey opts for a smoother, more fluid approach, ensuring that his instrument does not merely replicate but converses with the spirit of the song.
As the official saxophonist of Asake, Teemey has been instrumental in shaping the live performance experience of one of Nigeria’s biggest Afrobeat stars. His collaborations extend beyond the studio, as he has shared the stage with Asake on tour in the UK and Portugal. Most notably, he performed alongside the renowned musical collective, The Composers, at the prestigious Royal Albert Hall, further cementing his status as a premier saxophonist on the global stage.
A veteran of the global Afrobeat circuit, Teemey has played alongside the hottest artists, both within Nigeria and beyond. His experience on international stages has refined his ability to blend tradition with innovation. The way he handles PBUY is reminiscent of the transcendental saxophone tradition pioneered by musical legends—one that speaks beyond mere technique and ventures into pure, evocative storytelling.
Through this cover, Teemey does not merely perform; he reinvents. He takes Asake’s message of resilience and communal solidarity and translates it into a language of wind and brass. His phrasing is precise yet unrestrained, embodying the very essence of Afrobeat improvisation. The crescendoes and diminuendos are carefully structured, leading listeners on a journey that feels both deeply personal and universally resonant.
Teemey’s PBUY cover stands as a testament to his evolution as a musician, proving that the saxophone, in the right hands, is more than just an instrument—it is a vessel for storytelling, for cultural preservation, and for boundless sonic exploration. His artistry is not just about playing music; it is about redefining it. And in this redefinition, he solidifies his place among the most captivating instrumentalists of the Afrobeat era.
