by Taiwo Michael Oloyede In the framework of storytelling, drama does not unfold solely in what characters say, but in how they move, what they inhabit, and the weight their bodies bear through space and time. The dramatic movement of descriptive movement—gestures, posture, pace, stillness—extends beyond stage directions. It belongs deeply to characterization and to the unspoken grammar of conflict. Together, movement and description form the unsung music of drama: they render atmosphere kinetic, transform language into action, and make characters legible even in their silence. Characterization, in its richest dramatic sense, is not a function of monologue alone. As…
