A Dazzling Reimagining of Jazz Legacy Through Sound, Soul, and Contemporary Black Performance On Sunday, May 10, 2026, London audiences will witness an extraordinary evening of music, memory, and artistic transcendence as KWITEE headlines Night and Day: The Louis Armstrong Experience at Soul Mama. Conceived as a living conversation with the timeless genius of Louis Armstrong, Night and Day places KWITEE at the forefront of a bold contemporary interpretation of jazz tradition. Far beyond tribute, the performance seeks to resurrect the emotional architecture of Armstrong’s artistry — the tenderness, swing, rebellion, wit, and spiritual depth that transformed jazz into a…
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The Mega Story Hunt: Turn Your Story into an all-expense paid trip to Paris. The Mega Story Hunt is a storytelling competition inspired by An Escape to Paris, inviting people to share captivating stories from their travel experiences whether local or international. Participants are encouraged to tell a memorable story from a trip they’ve taken: funny, emotional, life changing, unexpected, or deeply personal while featuring a photo of the book in their submission. Entries can be shared as written posts or videos across social media using the hashtags #AETPMegaStoryHunt and #AnEscapeToParisBook. To qualify, participants must follow Lawretta Egba across all…
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By Happiness Chuzaram Stephen Can generational patterns be broken, or do they inevitably resurface in our lives? “The evil that men do lives after them. The good deeds is oft interred with their bones” –William Shakespeare , Julius Caesar. Another significant literary device used to convey the novel’s themes critically is symbolism. The term ‘Brexit’ which is a blend of ‘British Exit’ referring to the United Kingdom’s departure from the European Union is symbolic within the narrative. It parallels Google’s (Ademola Phillips’) exit from the lives of Idera and their children. Just as Brexit triggered numerous political and social issues…
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Taiwo Michael Oloyede The Pan African Writers Association (PAWA), through its diaspora arm— Writers of African Origin in the Diaspora (WAFORD)—has launched Finish Line, the debut poetry collection by US-based Nigerian poet Abby Kesington. The virtual event, hosted by WAFOD Coordinator Prof. Bill Ndi, was more than a book unveiling; it became a celebration of resilience and self-discovery. Kesington, who poured years of emotional struggle and transformation into her work, described Finish Line as “a piece of my soul.” “I wrote it while grappling with job loss, depression, and a search for my voice,” she said. “Every stanza carries pain,…
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A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi Ode to memory.At our first date you sought signsOf a bloodbath in my eyes.Other than love, nothingHad the guts to rest in the glimmerOf my eyes. Your lips have exhaustedTheir light to lick at my wound.There was a part of the moonIn our wine cups. There was memoryOf a gazan massacre on the softnessOf our steaks. Outside, in the pretence of calmness,Namenj’s sai watarana syncs with the night.Reflection was our wayof kissing the things we never haveTo reach. We hid our tonguesUnder each other’s mouth.Your teeth are…
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Yusrah staring into the distance, pink scarf crestfallen on shoulder.
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by Taiwo Michael Oloyede In the framework of storytelling, drama does not unfold solely in what characters say, but in how they move, what they inhabit, and the weight their bodies bear through space and time. The dramatic movement of descriptive movement—gestures, posture, pace, stillness—extends beyond stage directions. It belongs deeply to characterization and to the unspoken grammar of conflict. Together, movement and description form the unsung music of drama: they render atmosphere kinetic, transform language into action, and make characters legible even in their silence. Characterization, in its richest dramatic sense, is not a function of monologue alone. As…
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Taiwo Michael Oloyede Few artists command the kind of global reverence that Wizkid does. Over the years, he has honed a signature sound—effortlessly smooth, dance-inducing, and rooted in Afrobeat’s fluidity. With Kese, a standout track from his Morayo album, Wizkid leans into what he knows best: stripped-down production, velvety melodies, and an understated, yet hypnotic rhythm. But while Kese is an undeniably infectious track, does it push boundaries, or does it merely reinforce an already perfected formula? At its core, Kese is a groove. The song is designed to get listeners moving, fusing Afrobeat percussion with a sultry, mid-tempo bounce.…
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Taiwo Michael Oloyede Yemi Alade builds a sonic world that carves a new continent of sound, her voice sweeps through highlife guitars, Afro-pop beats, and pulsating percussions. She is not just a singer; she is an empress of rhythm, a griot draped in color, straddling Afrobeats, highlife, coupé-décalé, R&B, and soul with an effortless command. Her debut album, King of Queens, was not just an introduction but a proclamation. The world took notice when Johnny arrived, a song so infectious it marched across Africa, conquering dancefloors from Lagos to Nairobi, Accra to Johannesburg. The album fused Afropop with reggae, highlife,…
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Ife Abe Ahmed Ololade, known professionally as Asake, is one of the most electrifying voices in contemporary Afrobeats. Blending Fuji, Afrobeats, Amapiano, and street pop, he has carved out a distinct sound that resonates from the streets of Lagos to arenas worldwide. His music—marked by high-energy beats, anthemic choruses, and Yoruba-infused lyricism—has made him a cultural phenomenon, redefining how the world experiences Nigerian street music. From the Streets to Stardom Born in Lagos, Nigeria, Asake’s musical journey was deeply rooted in the rich traditions of Yoruba music. Inspired by Fuji legends like Pasuma, Kwam 1, and the rhythmic dynamism of…


