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Pan African journal of literature.

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  • The Seduction And Brutality of Lagos – A Review of The Novel, The Carnivorous City – Toni Kan.

    January 15, 2023

    Taiwo Michael Oloyede Toni Kan’s The Carnivorous City offers a vivid portrait of Lagos as a living, breathing force—unforgiving, restless, and voracious. Lagos is not merely the backdrop of this story; it is its protagonist, shaping and consuming the lives caught within its sprawl. The city oscillates between chaos and extravagance, where minor disputes erupt into riots and fortunes evaporate in the glittering haze of champagne-fuelled nights. Abel Dike, a teacher in a quiet regional town, is reluctantly drawn into Lagos’s orbit when he receives a cryptic text message: Soni is missing. Soni, Abel’s younger brother, has built a shadowy…

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  • Moseying the hidey-holes of nostalgia – A review of Su’eddie Agema’s collection of poems, Memory and The Call of Waters

    November 6, 2022

    In the opening poem, before learning a new normal, the persona in the poem, enthused about the mischiefs of salvation hawkers and the effect their gouging activities had on their followers and the community at large. The pains of the persona are felt in lines like:

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  • OPPORTUNITY:
  • Women’s Prize for Fiction 2024 Longlist Announced
  • Aké Arts and Book Festival 2024: Exploring the Boundless Quest for Freedom
  • 2024 NATIONAL POETRY COMPETITION NOW OPEN FOR ENTRIES
  • Opportunities for writers and poets for May 2024.
  • Celebrating Culture and Resistance: Folklore and Gyration of the Oppressed at the Lagos International Poetry Festival.
  • NLNG PRIZE FOR LITERATURE, 2022.
  • Explore Astra Papachristodoulou’s ‘Making Poetry’ Exhibition at Southbank Centre.
  • Conceição Evaristo to open Brazil’s Festival da Palavra de Curitiba 2024

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Recent Posts

  • A Review of “Sibling War” from Home in Motion by Tolu A Akinyemi Review by Taiwo Michael Oloyede 
  • KWITEE: NIGHT AND DAY: The Louis Armstrong Experience at Soul Mama.
  • The Mega Story Hunt: Win A Trip To Paris.
  • RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END
  • PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

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