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SankaraAfricaReview

Pan African journal of literature.

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  • Taiwo Standing in front of the bull statue in Birmingham wearing a butter colored suit and a white shirt with design on its lapel.

    Juxtaposing the Impact of Culture Mining on Creative Narratives. –

    September 7, 2023

    Culture Mining: Strengthening the core of storytelling. Culture mining refers to the deliberate exploration and extraction of cultural elements from diverse traditions, histories, and practices to enrich creative works. It involves querying the crucibles of every day living and drawing inspiration from various cultures, and stitching these threads into narratives. By embracing cultural syncretism, storytellers create works that resonate with global audiences, celebrate diversity, and amplify marginalized voices. However, ethical considerations are paramount to ensure respectful representation and authenticity. Culture mining is a powerful tool for shaping narratives that bridge gaps, foster empathy, and reflect the multifaceted nature of our…

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    Olayinka Yaqub Wins the 2023 Awele Creative Trust Award

    May 3, 2024
  • Reliving the effusions of a sybarite in Jide Badmus’ collection of poems – Taiwo Michael Oloyede.

    August 4, 2023

    Badmus, in this collection of poems, unfurls the undulant currents of love amidst the slippery rails of romance; tilling the shoal of lust and other plains of emotions in fine locutions. He preened up the premise of affectations in an auspicious sophistry; beaming searchlights on the myriads of neurodivergent claim of proposals and oaths yelped by love birds on the cusp of consummating a salacious nudge. Badmus unbracketed some literary devices to outline the flakes of human responses to pain and the weight of love, while interrogating the fairness of honest hits on objects of affection as against reloading the…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  •    A Brief History of Ademilola Rhodes –            By OLUKOREDE S. YISHUA.

    July 4, 2023

    Ademilola Rhodes chanced on the station. She had just returned home after twelve grueling hours in a Brooklyn care-giving home. At 63, she knew she was not supposed to be doing that sort of tedious job, but she had decided long ago to make lemonade out of the lemon America threw at her. Chief Fehintola was the first person she noticed on the broadcast going on when she switched on the television. 

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • Jeremiads of a heart plagued with scabs bereft of moist – Taiwo Michael Oloyede.

    May 8, 2023

    Dami Ajayi is plugged as a lyrical poet whose use of language and style is daring, visceral, empathetic and sweeping. … You picked the best place to have an argument. A train coach heading from Berlin to Cologne. You picked the best time, too; the quiet time before travellers eased into siesta.  The above lines float the same texture of bewilderment spooled by Brenda Hillman in the poem: During an enchantment in the life. The poem details how we are consumed by love, get beaten more than twice, and become unwieldy disposed to new possibilities – and how we drown…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • Yishau , staring at the camera , in a fgreen polo with white patches by his shoulder.

    Nigerian Author Olukorede S. Yishau Will Publish a Riveting Novel About Two Women Linked by Tragedy and Betrayal.

    May 4, 2023

    Nigerian author Olukorede S. Yishau is set to publish his second novel in 2024 titled After the End. The novel will explore the story of two women linked by a common tragedy and published by Masobe Books. Yishau’s story is one of grief but at the same time, romance, betrayal, duplicity and denouement. Idera’s world crumbles when her husband, Demola, dies. As she battles with this reality, she is met with a shocking discovery. A woman appears at her door with a child in hand — Demola’s son. The love of her life, the man whom she felt could do no…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • Muyiwa in a hoodie with hands pulling the wear. A brown Chelsea boot et al.

    Alkebulan: Home of the Rising Sun

    April 18, 2023

    Muyiwa Babayomi Alkebulan, mother, ancient canvas of our collective soul, Land where the dawn first smiles, gifting light to kings and queens, Our hands once held the wealth of soil, planting wisdom like seeds. Where the baobabs stand, proud and free, under skies vast and forgiving. Do you recall, Alkebulan, the first shadow that fell upon our land? A shroud not of night but of greed, then chains fell across our fields and rivers, Inch by inch, they sought to take our spirit, our gold, our very essence. Yet, from the depths, where our roots kiss the earth’s core, our…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • When love returns – Niran Adedokun.

    February 7, 2023

    The timepiece on the massive TV set hanging opposite the bed read 3.07 am. Although it was the fourth time she would wake up in three hours, Yemisi was unperturbed that this was looking like a fitful night. She had good reason. This was the third night of her marriage to a man who is clearly heaven-sent, and even waiting up all night would be worth the thrill. Her husband now laid by her side, sleeping soundly and oblivious to her contemplations. She smiled. All is well that ends well, she imagined, the Cheshire cat still on her face.

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • The Seduction And Brutality of Lagos – A Review of The Novel, The Carnivorous City – Toni Kan.

    January 15, 2023

    Taiwo Michael Oloyede Toni Kan’s The Carnivorous City offers a vivid portrait of Lagos as a living, breathing force—unforgiving, restless, and voracious. Lagos is not merely the backdrop of this story; it is its protagonist, shaping and consuming the lives caught within its sprawl. The city oscillates between chaos and extravagance, where minor disputes erupt into riots and fortunes evaporate in the glittering haze of champagne-fuelled nights. Abel Dike, a teacher in a quiet regional town, is reluctantly drawn into Lagos’s orbit when he receives a cryptic text message: Soni is missing. Soni, Abel’s younger brother, has built a shadowy…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
  • Moseying the hidey-holes of nostalgia – A review of Su’eddie Agema’s collection of poems, Memory and The Call of Waters

    November 6, 2022

    In the opening poem, before learning a new normal, the persona in the poem, enthused about the mischiefs of salvation hawkers and the effect their gouging activities had on their followers and the community at large. The pains of the persona are felt in lines like:

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025
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    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

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    Justice, Vengeance, and Forgiveness – A Review Of Pemi Aguda’s Book, GHOSTROOTS.

    January 12, 2025
  • TRAVELOGUE – GATWICK, OXFORD, AND THIS SOLAR SYSTEM OF DREAM-GAPS –

    October 4, 2022

    TRAVELOGUE - GATWICK, OXFORD, AND THIS SOLAR SYSTEM OF DREAM-GAPS.I slid into my tracksuit and made for Peterborough train station; walked past blokes auctioned to dereliction by insidious frivolities as they loitered the streets and scrambled to share drinks in the middle of the road. My ears caught the husky yelp of a young boy reprimanding his friend for drinking to a stupor at an event and carving out instructions to help him maintain decorum at subsequent events. The boy, embroiled in sobriety, kept prancing and cussing out about being treated like he was a child; walking towards the Orange…

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025

    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

    June 10, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

    April 28, 2025
 Older Posts
Newer Posts 
  • MTN Foundation and Beeta Universal Arts Foundation Celebrate the Best of Emerging Playwrights at Beeta Playwright Competition Finale
  • Submit to Sierra Leonean Literary Platform Poda-Poda Stories | Deadline: June 1
  • Wizkid’s “Kese”: A Sonic Groove or a Safe Play?
  • The Poet’s Revival. This event signifies a renewed interest in the spoken word and amplifies the propulsive force of poetry in the digital age.
  • Jeremiads of a heart plagued with scabs bereft of moist – Taiwo Michael Oloyede.
  • 5 Poems by Yusrah M. Dzukogi
  • A Cultural Critique of My Girl Child.
  • Tananarive Due, Jordan Peele win at Bram Stoker Awards 2024.
  • Walter Scott Prize for Historical Fiction, 2024 shortlist announced.
  • Hemley Boum wins Prix littéraire des Sciences Po 2024.

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  • PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.
  • A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 
  • 5 Poems by Yusrah M. Dzukogi
  • The Dramatic Movement of Descriptive Movement and Characterization in Storytelling

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