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Pan African journal of literature.

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  • When love returns – Niran Adedokun.

    February 7, 2023

    The timepiece on the massive TV set hanging opposite the bed read 3.07 am. Although it was the fourth time she would wake up in three hours, Yemisi was unperturbed that this was looking like a fitful night. She had good reason. This was the third night of her marriage to a man who is clearly heaven-sent, and even waiting up all night would be worth the thrill. Her husband now laid by her side, sleeping soundly and oblivious to her contemplations. She smiled. All is well that ends well, she imagined, the Cheshire cat still on her face.

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  • The Seduction And Brutality of Lagos – A Review of The Novel, The Carnivorous City – Toni Kan.

    January 15, 2023

    Taiwo Michael Oloyede Toni Kan’s The Carnivorous City offers a vivid portrait of Lagos as a living, breathing force—unforgiving, restless, and voracious. Lagos is not merely the backdrop of this story; it is its protagonist, shaping and consuming the lives caught within its sprawl. The city oscillates between chaos and extravagance, where minor disputes erupt into riots and fortunes evaporate in the glittering haze of champagne-fuelled nights. Abel Dike, a teacher in a quiet regional town, is reluctantly drawn into Lagos’s orbit when he receives a cryptic text message: Soni is missing. Soni, Abel’s younger brother, has built a shadowy…

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  • Moseying the hidey-holes of nostalgia – A review of Su’eddie Agema’s collection of poems, Memory and The Call of Waters

    November 6, 2022

    In the opening poem, before learning a new normal, the persona in the poem, enthused about the mischiefs of salvation hawkers and the effect their gouging activities had on their followers and the community at large. The pains of the persona are felt in lines like:

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    A girl facing aeons, in cornrows, looking to nothingness set against a yellow, red slashed book cover.

    RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

    August 3, 2025
    Pink scarf on Yusrah

    A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 

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  • TRAVELOGUE – GATWICK, OXFORD, AND THIS SOLAR SYSTEM OF DREAM-GAPS –

    October 4, 2022

    TRAVELOGUE - GATWICK, OXFORD, AND THIS SOLAR SYSTEM OF DREAM-GAPS.I slid into my tracksuit and made for Peterborough train station; walked past blokes auctioned to dereliction by insidious frivolities as they loitered the streets and scrambled to share drinks in the middle of the road. My ears caught the husky yelp of a young boy reprimanding his friend for drinking to a stupor at an event and carving out instructions to help him maintain decorum at subsequent events. The boy, embroiled in sobriety, kept prancing and cussing out about being treated like he was a child; walking towards the Orange…

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  • Kwitee Enchants at ‘The Revived Concert’ in Ikoyi, Lagos.

    June 10, 2022

    By Taiwo Michael Oloyede In a dazzling display of Afro-Jazz brilliance, Kwitee, the acclaimed trumpeter and songwriter, transformed LH Prive in Ikoyi, Lagos into a haven of musical splendor. The event, aptly named ‘The Revived Concert with Kwitee and The Elites Band,’ offered an exclusive first listen to Kwitee’s upcoming album, Shadows. As a music critic, it was an evening that both delighted and impressed, showcasing the depth of Kwitee’s artistry and the vibrant potential of his new work. From the outset, the concert was steeped in an electrifying atmosphere. Kwitee’s performance was a masterclass in musical expression, blending traditional…

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  • NLNG PRIZE FOR LITERATURE, 2022.

    May 3, 2022

    Professor Adimora-Ezeigbo urged the judges to elevate literature as a catalyst for national development. With poetry in focus this year, the Nigeria Prize for Literature continues to celebrate and reward outstanding literary achievements, reaffirming its commitment to nurturing Nigeria's rich literary landscape.

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    PAWA UNVEILS DEBUT POETRY- THE FINISH LINE BY ABBY KESINGTON.

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  • Copies of arrows of joy overlapping each other.

    “Arrows of Joy”:  An Interview with the poet, Muyiwa Adeola Babayomi.

    April 12, 2022

    In this expository interview, I had the pleasure of speaking with Muyiwa Adeola Babayomi, the gifted poet behind the collection of poems, “Arrows of Joy”. With each poem, Babayomi poetically narrates the cultural reality of life in Africa with the recurrent universal themes of love, perseverance, and the spiritual journey. We talked about the origins of Arrows of Joy, discussing how he draws from mythology to convey timeless lessons and crafts vibrant imageries to shed light on the challenges and triumphs of the African society. He spoke candidly about his creative process, sharing insights into the inspirations that shape his…

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  • A labyrinth of sweeping anecdotes – A review of Su’eddie Agema’s collection of poems, Memory and The Call of Waters

    March 4, 2022

    Reviewer : Taiwo Michael Oloyede Agema’s collection of poems is a labyrinth of sweeping anecdotes; juxtaposing a motley of quotidian motifs that tug persistently at our fragile coats of existence with impish punches, in this terra firma. Agema writes with the zest of a skilled hunter; wielding sharp-edged swords and other accoutrements at the call of duty. His poetic nuances, in this baroque of evocation, are rooted both in profound lyricism and an instinctual diagnosis of human circumstances. His writing style leaps like water-froths, entreating you to come in for an ethnic dance with flailing hands in a restive, festive…

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  • A Cultural Critique of My Girl Child.

    December 31, 2021

    Reviewer: Molara wood Kate Apaflo Awuku-Darko’s My Girl Child, a poignant entry in her collection Seven Shredded Sisters, speaks with profound tenderness and urgency, addressing the complexities of girlhood in the shadow of societal expectations. This poem is a striking examination of resilience, vulnerability, and the quiet rebellion of a young girl navigating the confines of tradition. At its heart, My Girl Child is a deeply empathetic exploration of identity, self-awareness, and the conflict between individuality and cultural imposition. Awuku-Darko captures the weight of inherited customs with the haunting line, “you worry about the nightmares / of your thighs being…

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  • Masterclass Alert: Gbenga Adesina to Lead Exclusive Poetry Workshop in Lagos.

    July 8, 2018

    Masterclass Alert: Gbenga Adesina to Lead Exclusive Poetry Workshop in Lagos Renowned poet and literary scholar Gbenga Adesina, winner of the 2016 Brunel International African Poetry Prize, will be hosting a free poetry masterclass sponsored by Goethe-Institut Nigeria. The session, set to take place on Thursday, July 12, at 12 PM, promises an enriching exploration of poetic craft and creativity for participants at Lagos City Hall, Catholic Mission Street, Lagos Island. Currently a Starworks Poetry Fellow at New York University, where he also teaches Undergraduate Creative Writing, Adesina has garnered accolades for his deeply evocative poetry. His works, including Painter…

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 Older Posts
Newer Posts 
  • MTN Foundation and Beeta Universal Arts Foundation Celebrate the Best of Emerging Playwrights at Beeta Playwright Competition Finale
  • BBC Africa Spotlights Emi Mahmoud’s Poem on the War in Sudan.
  • Abuja International Poetry Festival: Charting New Frontiers for African Poetry
  • Ayọ̀bámi Adébáyọ̀ Joins Booker Prize 2025 Judging Panel: A Literary Triumph in Perspective
  •  Global Black Women’s Non-Fiction Manuscript Prize.
  • The shortlists for the British Science Fiction Association’s BSFA Awards for works published in 2023.
  • Reliving the effusions of a sybarite in Jide Badmus’ collection of poems – Taiwo Michael Oloyede.
  • Women’s Prize for Fiction 2024 Longlist Announced
  • A Review of Abdulrazaq Salihu’s poem, “Ode to memory” by Yusrah M. Dzukogi 
  • Asake: The Street Pop Maestro Taking Afro beats Global.

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  • KWITEE: NIGHT AND DAY: The Louis Armstrong Experience at Soul Mama.
  • The Mega Story Hunt: Win A Trip To Paris.
  • Taiwo Michael Oloyede Longlisted for 2025 Creative Future Writers’ Award
  • RECURRING PATTERNS: A CRITICAL REVIEW OF OLUKOREDE S. YISHAU’ S AFTER THE END

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