Lagos – The MTN Foundation, in partnership with Beeta Universal Arts Foundation, recently hosted the much-anticipated finale of the 6th Beeta Playwright Competition, spotlighting Nigeria’s next generation of playwrights. The event saw the top ten finalists compete for the prestigious award, providing an exciting opportunity for new literary voices to shine. In a notable departure from previous editions, this year’s competition featured 40 selected candidates, expanding its scope and opening doors for more emerging talents to showcase their craft. The competition aims to empower playwrights to bring to the stage compelling, authentic Nigerian stories that reflect the richness of local…
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Taiwo Michael Oloyede Olukorede Yishau’s After the End is a searing extrapolation of the conundrums of human existence, where the intimate struggles of its characters mirror the unrelenting chaos of the cities they inhabit. From the sprawling bustle of Lagos to the foggy alienation of Liverpool and London, the novel reveals how geography shapes and intensifies the private battles of individuals navigating grief, betrayal, and the quest for redemption. The trauma of Yishau’s characters is not isolated; it is a reflection of the restless, contradictory spaces they call home, spaces where personal pain is magnified against a backdrop of societal…
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The shortlists for the British Science Fiction Association’s BSFA Awards for works published in 2023 have been revealed, and African writers were very well represented. Wole Talabi was on the shortlist for Best Novel for his Shigidi and the Brass Head of Obalufon, Best Collection for Mothersound: The Sauútiverse Anthology which he edited, as well as Best Non-Fiction (Short) for Prisoners in the Temple of the Muses. Also scoring double shortlists is Suyi Davies Okungbowa in Best Short Fiction for Lady Koi Koi: A Book Report, and Best Non-Fiction (Short) for Exposition Tax: The Hidden Burden of Writing from the Margins.…
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Image Caption: Performers at the "Folklore and Gyration of the Oppressed" event at the Lagos International Poetry Festival.
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For nearly a decade, the Lagos International Poetry Festival (LIPFest) has redefined Lagos’s cultural identity, drawing poets and creatives from around the world to celebrate the art of words. Now in its ninth year, the festival has cemented its place as a cornerstone of Nigeria’s literary scene, standing shoulder-to-shoulder with major cultural events such as Lagos Fashion Week and Art X Lagos. Set against the backdrop of Lagos—a city famed for its frenetic energy and relentless chaos—LIPFest is a paradoxical refuge, offering solace and inspiration to wordsmiths and artists. Each October, the festival transforms the city into a vibrant hub…
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Reviewer : Taiwo Michael Oloyede When sorrows come, they come not in single spies, but in battalions. -Williams Shakespeare In, On The Train To Hell, Tolu A’ Akinyemi writes gravely about diurnal issues of life that is common to man ; macerating us in the rigour of his storytelling adeptness, suffused in grainy elocutions. From the title of the book, we ram through the inflorescence of poignant narratives from the first page and weave in between surreal verses to the core of his renderings. In the opening poem, dust to dust, we come in contact with the rinds of grief…
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Culture Mining: Strengthening the core of storytelling. Culture mining refers to the deliberate exploration and extraction of cultural elements from diverse traditions, histories, and practices to enrich creative works. It involves querying the crucibles of every day living and drawing inspiration from various cultures, and stitching these threads into narratives. By embracing cultural syncretism, storytellers create works that resonate with global audiences, celebrate diversity, and amplify marginalized voices. However, ethical considerations are paramount to ensure respectful representation and authenticity. Culture mining is a powerful tool for shaping narratives that bridge gaps, foster empathy, and reflect the multifaceted nature of our…
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Badmus, in this collection of poems, unfurls the undulant currents of love amidst the slippery rails of romance; tilling the shoal of lust and other plains of emotions in fine locutions. He preened up the premise of affectations in an auspicious sophistry; beaming searchlights on the myriads of neurodivergent claim of proposals and oaths yelped by love birds on the cusp of consummating a salacious nudge. Badmus unbracketed some literary devices to outline the flakes of human responses to pain and the weight of love, while interrogating the fairness of honest hits on objects of affection as against reloading the…
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Ademilola Rhodes chanced on the station. She had just returned home after twelve grueling hours in a Brooklyn care-giving home. At 63, she knew she was not supposed to be doing that sort of tedious job, but she had decided long ago to make lemonade out of the lemon America threw at her. Chief Fehintola was the first person she noticed on the broadcast going on when she switched on the television.
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Dami Ajayi is plugged as a lyrical poet whose use of language and style is daring, visceral, empathetic and sweeping. … You picked the best place to have an argument. A train coach heading from Berlin to Cologne. You picked the best time, too; the quiet time before travellers eased into siesta. The above lines float the same texture of bewilderment spooled by Brenda Hillman in the poem: During an enchantment in the life. The poem details how we are consumed by love, get beaten more than twice, and become unwieldy disposed to new possibilities – and how we drown…





